BAFTA Breakthrough Brits
The Final Cut

 

Back in October I photographed the BAFTA Breakthrough Brits for a second year running. It was great fun – full of energy, laughter and some seriously talented people. And this year I thought I would try two different set ups. It not only meant I could offer BAFTA a completely different set of images that they could use, but I also got to try out something new. Everyone’s a winner.

 

 

 

 

 

 

 

 

 

 - B&A Announcement - Charlie Clift

B&A Announcement

    Big news – I’m represented by B&A! Their brilliant team supports some of the most inspiring photographers and illustrators around, so I could not be more excited to join them. A new chapter begins. ba-reps.com

Awards – AP41 & Communication Arts Photo Annual

  I’m honoured that this special moment with Patti Smith has been selected as a winner for both the American Photography 41 competition and the Communication Arts Photography Annual. Huge thanks to Victor & Simon and the incredible Cartier team for helping make this moment happen.    

 - Materialists – A24 - Charlie Clift

Materialists – A24

  This was fun. Pedro Pascal, Dakota Johnson, and Chris Evans photographed for A24 to celebrate the upcoming release of Materialists movie. Ace to see this shoot hit the internet and gain millions of likes in a matter of hours – becoming the top post ever on A24’s instagram, plus featuring on feeds by Rolling Stone, IMDb, Cosmopolitan, Wonderland, and so many others. Giant thanks to: Gabriela De Camps and Corinne Ferman Styling: Kate Young, Ilaria Urbinati, Julie Ragolia Hair: George Northwood Makeup: Georgie Eisdell Grooming: Coco Ullrich, Jay Wejebe First Assistant: George Hall Photo Assistant: Rosie Alice Wilson Runner: Ariel Turgeman-Fabrizio Props: Andie Redman at Creative Assistants Agency

 - Mishal Husain – The Observer Magazine - Charlie Clift

Mishal Husain – The Observer Magazine

Mishal Husain and her mother Shama for the cover of The all-new Observer Magazine. Exciting to be part of the new-era the world’s oldest Sunday newspaper. “Is there a term in any language, I wondered, for a place that was nearly your hometown, or could have been, had history not intervened?” Mishal Husain as written for the magazine about her trip to the city of her grandfather’s childhood, Lucknow, a place that he couldn’t visit himself once Pakistan and India were partitioned. I had the absolute pleasure to spend an afternoon with Mishal and her mother to create portraits to go with the article. It is a story hard to tell in a photograph, but I am especially proud of the image on the cover where Mishal and Shama sit with a portrait of her grandfather Shahid. Huge thanks to the amazing team behind the shoot: Alex Ortiz – Photo...

Brian Cox - TK Maxx & Red Nose Day - Red Nose Day – TK Maxx & Comic Relief - Charlie Clift

Red Nose Day – TK Maxx & Comic Relief

  My studio was filled with a whirlwind of laughs and good vibes as an array of household names visited. We were all there to celebrate the 20th anniversary of Red Nose Day and TK Maxx making their fun raising chari-tees. I grew up watching Red Nose Day every year on the TV, it was an unmissable event for me. So it is wonderful to be part of it this year, and to do my bit to help raise funds for the ace causes it’s supports. Go grab your chari-tee now! A huge thank you to the epic team at TK Maxx and Dundas PR, and everyone else who threw their energy and enthusiasm into making this happen. First assistant: George Hall Lighting: Phil Hardman, Rosie Wilson and Isaak Hest. Makeup and hair: Neil Young, Caroline Barnes, Chris Okonta, Fiona Eustace, and Francesca Daniella Stylist: Rachel Davis

Zoë Saldaña - BAFTA - BAFTA Film Awards 2025 - Charlie Clift

BAFTA Film Awards 2025

  Stepping back into the Royal Festival Hall to create portraits at the BAFTA Film Awards was an absolute joy. There’s nothing quite like Britain’s biggest night in cinema. These are not photos that I could ever make alone – the BAFTA photography team are the very best partners. It’s been a true honour to work with such amazing people again to capture the smallest slither of the magic of cinema. Hope you enjoy scrolling through the pictures as much as I enjoyed taking them BAFTA Photo Team: Claire Rees, Ellie Elliot, Rebecca Grey Set Builder: Simon Godfrey Lighting Supplier: Direct Digital Assistants: George Hall, Philip Hardman Retoucher: Melissa Morgan  

 - Malachi Kirby – Hollywood Authentic - Charlie Clift

Malachi Kirby – Hollywood Authentic

  There was such an amazing energy in my studio for this shoot with Malachi. Jazz blasting loudly, Malachi and I danced about, one moment calm and peaceful, the next bursting with excitement. I collapsed at the end, warn out and happy. What a joy to reconnect with this beautiful human. Read Jane Crowther’s interview on Hollywood Authentic here. Watch Malachi in ‘A Thousand Blows’ on Disney+ A big thank you to Jane Crowther and Greg Williams for bringing me on board. Grooming – Nadia Altinbas. Assistants – George Hall and  Rosie Alice Wilson Publicists – R&CPMK Styling – Malachi Kirby    

 - Patience – Channel 4 - Charlie Clift

Patience – Channel 4

  It was great fun to create the posters for Patience, Channel 4’s new crime drama. Fascinating to shoot on location in a real life archive in Belgium. Check out the new series starring Ella Maisy Purvis and Laura Fraser here. A huge thanks to Eagle Eye Drama and Happy Duck Films.  

Anna Sawai - Cartier - Golden Globes – Cartier - Charlie Clift

Golden Globes – Cartier

Friends of the Maison photographed for the 82nd Golden Globes. Massive thanks to Cartier, Victor & Simon, and the whole team who worked so hard to make this happen.

 - Day of the Jackal – Sky TV - Charlie Clift

Day of the Jackal – Sky TV

  It was a joy to create publicity portraits with Eddie Redmayne, Lashana Lynch and Úrsula Corberó to promote the release of Day of the Jackal – out now on Sky Atlantic and Peacock. It’s been really cool to see my portraits appearing in The Telegraph Magazine, Sunday Times Culture, Square Mile, The LA Times, Vanity Fair Italia and The Washington Post. Huge thanks to all the teams at Sky TV and LxL Creative for their support in making this. It’s always a pleasure working with such great people.