BAFTA Film Awards 2024

It was an honour to return to the Royal Festival Hall to create portraits at Britain’s biggest night in cinema – the BAFTA Film Awards.

It was the night that Christopher Nolan won his first golden masks, Da’Vine Joy Randolph moved us to tears and Michael J. Fox gave a very special appearance. In my portrait studio Robert Downey Jr. danced whilst Cillian Murphy took it all in, Paul Mescal giggled with Andrew Scott, Hannah Waddingham did the twist, and it was a joy to have Cate Blanchett back in front of my camera again.

On the 5th floor, away from the dazzling lights of the ceremony, I built an intimate space allowing my sitters a moment of release after the emotions felt on stage. Taking inspiration from Richard Avedon’s early work, I flooded my set in light reminiscent of an artist’s workshop – soft and gentle. Mixed with the high emotions and energy on display, it was a truly exceptional evening to be a part of.

Huge thanks to the brilliant photo team at BAFTA for their collaboration and support. It really does take a village to make a project like this come to life and working with this hyper-talented and super-dedicated squad is a dream come true.

BAFTA:
Photo Director: Claire Rees, Producer: Jordan Anderson, Photo Assistant: Ellie Elliot, Freelance: Tayjib Kerstan

Set Builder: Simon Godfrey

Lighting Supplier: Danny Murphy

Lighting Assistant: Philip Hardman

Retoucher: Melissa Morgan

 

SEE THE FULL SET

 

SEE THE FULL SET

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It was an honour to return to the Royal Festival Hall to create portraits at Britain’s biggest night in cinema – the BAFTA Film Awards. It was the night that Christopher Nolan won his first golden masks, Da’Vine Joy Randolph moved us to tears and Michael J. Fox gave a very special appearance. In my portrait studio Robert Downey Jr. danced whilst Cillian Murphy took it all in, Paul Mescal giggled with Andrew Scott, Hannah Waddingham did the twist, and it was a joy to have Cate Blanchett back in front of my camera again. On the 5th floor, away from the dazzling lights of the ceremony, I built an intimate space allowing my sitters a moment of release after the emotions felt on stage. Taking inspiration from Richard Avedon’s early work, I flooded my set in light reminiscent of an artist’s workshop – soft and gentle. Mixed with the...

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