Back in the days when the weather was substantially nicer and Jeremy Clarkson marginally less controversial, I spent time at Diddly Squat Farm photographing the team – cow herding with Kaleb, field walking with Lisa, chatting with Charlie, and (trying to) chat with Gerald. Plus of course capturing Jeremy too, whilst he told me about his cows. Thanks to Lisa for encouraging Jeremy to do this American Gothic recreation, to Russ O’Connell for the great idea, Grant Wood for his brilliant painting, and to my assistant Phil for saving my canvas background from falling in too much mud. Read Nick Rufford’s article here: LINK
I recently had the pleasure of shooting comedy’s funniest (and most charming) man, Tom Allen, for Channel 4 in celebration of him hosting the National Comedy Awards, on Friday 17th February. I wanted to show Tom in his most natural environment – sprawled on the roof of a black cab, surrounded by adoring fans and paparazzi, of course. This was a really fun and creative shoot, involving some clever behind-the-scenes tricks. I’ve put together a short video below showing you how we achieved the final shot, featuring fake headlamps, a cherry-picker, and a blank wall. Thanks to Lucille, Alice, Suzi and Susie at Channel 4, to Kit and Leah for MUA and styling, and my assistants Oli and Pim.
I am proud to announce that my portrait of Gordon Brown has been shortlisted in Portrait of Britain Vol 5. It was fascinating to photograph the ex-Prime Minister in the back room of a Holiday Inn in his Scottish hometown; it all felt a million miles from Number 10, until a besuited security guard walked into the room. Moments later, the man I’d seen a thousand times on the television walked into the room. If you would like to see it in the flesh, the book will be hitting shop shelves in the coming weeks. It’s wonderful to be part of such a varied set of portraits celebrating the diversity of our nation. Massive thanks to Russ O’Connell for commissioning me for this shoot, and to Hoxton Mini Press and the British Journal of Photography for including my picture in their publication.
I ended 2022 photographing the brilliant James Norton for The Sunday Times Culture magazine, to mark the new series of Happy Valley on the BBC. Although playing a murderous villain on TV, in reality James is (thankfully) the total opposite and was great fun to work with. Having asked him to bring a few pieces of his wardrobe, I learned he is also the owner of some fantastic knitwear. The Sunday Times Culture magazine describes James as ‘nice guy turns TV’s number one psycho’, two sides which I tried to capture for the cover. To prepare to capture the movement of James’ coat, I roped in my studio-mate Matt for some rather dizzying test shots, which you can see in the outtake below. Massive thanks to all involved, including Adam Hearn for the great commission, Jessica at Tapestry, Liz at The Wall Group, and my stand-in Matt! If...
For my first cover for The Observer Magazine, I visited a quiet and unassuming street in north London – and set off some smoke bombs. In a time where the word ‘energy’ is often followed by ‘crisis’, it was inspiring to meet the residents of Lynmouth Road, whose goal is to turn their home into its own solar power station. Wouldn’t it be cool if the streets all over the UK could be like this – providing power for themselves from the sun? Special thanks to everyone involved, especially those who clambered up to the roof-top where residents Dan Edelstyn and Hilary Powell are sleeping as a crowdfunder for the project. Thank you to Kit Burnet at The Observer Magazine for the fun assignment, Dan and Hilary from POWER for rallying together their neighbours for the shoot, and to my assistants Oliver and Adam. Anna Fielding’s accompanying article is fascinating...
To mark their wins at the BAFTA Game Awards 2022, I photographed Returnal’s creative director Harry Krueger and actress Jane Perry at the BAFTA HQ. In a triumphant double-whammy, Returnal won Best Game, and Jane won Best Actress for her role in Returnal. It was fascinating to hear about the process of creating, building and starring in a virtual universe, and to capture Harry and Jane’s achievements in the ever-growing gaming industry. Many thanks to Claire Rees and Jordan Anderson at Bafta for the brilliant commission, and to my assistants Pim and Oli.
I’m honoured to have my portrait of Michaela Coel for BAFTA was chosen for this year’s American Photography 38 book. I travelled to New York to see the launch of the book and to meet many of the other fascinating photographers featured. This portrait was photographed for BAFTA at their 2021 TV Awards this was a dream commission from the brilliant Claire Rees and Jordan Anderson – an evening bursting with talent. Click here to see the full set from the shoot: LINK
When I was suffering with depression knowing someone would listen to me and hear me made all the difference. That’s why I was eager to be part of a new mental health campaign called ‘Lend An Ear’ with The Photography Movement and Harlequins Rugby. And that’s why you might have seen giant pictures of ears have been appearing on billboards across London. They feature some of the best rugby players in the country including England and Harlequins legends Danny Care, Marcus Smith, Joe Marler and Rachael Burford. Inspired by Joe Marler’s wonderfully gnarled ears Scott Shillum approached me with an idea a little while back: “what if we create beautiful artistic images of rugby players ears?” How could I say no to that? A few months later we find ourselves setting up at the Harlequins training ground eager to capture the folds, creases and uniqueness of some of the worlds...
A new exhibition of my portraits from the 2021 Bafta TV Awards is on show in the Bafta HQ. I love this set of images – it was such an honour getting to meet and photograph these incredible award winners. So much talent in just one evening! Big thanks to Claire Rees and Jordan Anderson for selecting my portraits to be on show on the hallowed walls of Bafta. Below are the photos, and a little BTS video from the shoot.
Catch the last of the summer rays in the Cambridge countryside. Massive thanks to the incredible team who made this happen: Pia Aung – styling Quee and Kelly Murphy at MOT Models – models Sam Cooper – hair and make up Victoria Moyosola – photo assistant The Red Lion, Grantchester – location